| Issue | Title | |
| Vol 3, No 1: Fall 2010 / Winter 2011 | A Beautiful Piece of Property: Toward a New Definition of Aesthetic Properties | Abstract pdf |
| Bryan J. Parkhurst | ||
| Vol 5, No 1: Fall 2012 / Winter 2013 | A Dispositional Account of Aesthetic Properties | Details PDF |
| Elizabeth Zeron Compton | ||
| Vol 2, No 2: Spring / Summer 2010 | A Kantian Critique of Positive Aesthetics of Nature | Abstract Untitled () PDF |
| Jonathan Parker | ||
| Vol 5, No 1: Fall 2012 / Winter 2013 | A Philosophy of Computer Art | Details PDF |
| Greg Trotter | ||
| Vol 1, No 2: Spring / Summer 2009 | Aesthetic and Other Theoretical Virtues in Science | Abstract PDF |
| Jason B. Simus | ||
| Vol 1, No 2: Spring / Summer 2009 | Art, Emotion and Ethics | Details PDF |
| Charles Repp | ||
| Vol 3, No 2: Spring / Summer 2011 | Artistic Expression, Aesthetic Value and the Law | Details PDF |
| Jenn Neilson | ||
| Vol 5, No 1: Fall 2012 / Winter 2013 | "Blindsketch.com Group Photo" (2013) crowdsourced digital drawing | Details PDF |
| Chris Collins | ||
| Vol 4, No 2: Spring / Summer 2012 | Book Review: Noël Carroll, Living in an Artworld | Details PDF |
| Erum Naqvi | ||
| Vol 4, No 1: Fall 2011 / Winter 2012 | Can Digital Pictures Qualify as Photographs? | Abstract PDF |
| Geert Gooskens | ||
| Vol 5, No 1: Fall 2012 / Winter 2013 | Dance as Art: A Studio-Based Account | Details PDF |
| Aili Bresnahan | ||
| Vol 2, No 2: Spring / Summer 2010 | Diotima's Children by Frederick Beiser | Details PDF |
| Daniel Whistler | ||
| Vol 2, No 2: Spring / Summer 2010 | Disturbing Nature's Beauty: Environmental Aesthetics in a New Ecological Paradigm | Abstract PDF |
| Jason Simus | ||
| Vol 2, No 1: Fall 2009 / Winter 2010 | Dots and Data: Seurat, Sartre and Merleau-Ponty | Abstract PDF |
| Michael Gutierrez | ||
| Vol 4, No 2: Spring / Summer 2012 | Enhancing Presence: Sensory Integration and Proprioception in Cinema | Abstract PDF |
| Eleftheria Astrinaki | ||
| Vol 3, No 2: Spring / Summer 2011 | From Individuality to Universality: the Role of Aesthetic Education in Kant | Abstract PDF |
| Anton Kabeshkin | ||
| Vol 3, No 2: Spring / Summer 2011 | Functional Beauty | Details PDF |
| Andrea Lynne Nolen | ||
| Vol 4, No 1: Fall 2011 / Winter 2012 | Humanization of Christian Sacred Art and its Erosion as a Vehicle of Contemplative Intellection | Abstract PDF |
| Martyn Amugen | ||
| Vol 3, No 1: Fall 2010 / Winter 2011 | Imagination and the Mind's Ear | Details pdf |
| Margaret E. Moore | ||
| Vol 5, No 1: Fall 2012 / Winter 2013 | Interview: Andrew Benjamin | Details PDF |
| Michael Gutierrez | ||
| Vol 2, No 2: Spring / Summer 2010 | Julian Dodd's "Works of Music: An Essay in Ontology" | Details PDF |
| Margot Dahms Wielgus | ||
| Vol 3, No 1: Fall 2010 / Winter 2011 | Music and Motion | Abstract pdf |
| Alejandra Emilia Iannone | ||
| Vol 1, No 1: Fall 2008 / Winter 2009 | Must Aesthetic Definitions of Art be Disjunctive? | Abstract PDF |
| Jonathan Farrell | ||
| Vol 2, No 1: Fall 2009 / Winter 2010 | Nominalism and Its Aftermath: The Philosophy of Nelson Goodman | Details PDF |
| Nigel Thomas Gully | ||
| Vol 4, No 1: Fall 2011 / Winter 2012 | Pretence Problems and Make-Believe Emotions | Details PDF |
| Simone Neuber | ||
| Vol 1, No 1: Fall 2008 / Winter 2009 | Replies to Farrell and Compton | Abstract PDF |
| Nick Zangwill | ||
| Vol 5, No 1: Fall 2012 / Winter 2013 | Rethinking Realism: A Critique of Georg Lukács | Abstract PDF |
| Charles A. Prusik | ||
| Vol 5, No 1: Fall 2012 / Winter 2013 | Rothko's Negative Theology | Abstract PDF |
| Matthew Lovett | ||
| Vol 2, No 1: Fall 2009 / Winter 2010 | Still Two Problematic Theses in Carroll's Account of Horror: A Response to "Monsters and the Moving Image" | Abstract PDF |
| Brian Laetz | ||
| Vol 4, No 1: Fall 2011 / Winter 2012 | Sympathy for the Devil. The Paradox of Emotional Response to Fiction | Details PDF |
| Gemma Arguello Manresa | ||
| Vol 4, No 1: Fall 2011 / Winter 2012 | The Art Instinct: Beauty, Pleasure, and Human Evolution | Details PDF |
| Nigel Thomas Gully | ||
| Vol 1, No 2: Spring / Summer 2009 | The Dynamic Phenomenon of Art in Heidegger's The Origin of the Work of Art | Abstract PDF |
| Aili Bresnahan | ||
| Vol 3, No 2: Spring / Summer 2011 | The Fifth Avenue Anti-Stuffed Shirt and Flying Trapeze Club: A Reading of George Cukor's HOLIDAY | Abstract PDF |
| Hugh Alexander Curtas | ||
| Vol 2, No 1: Fall 2009 / Winter 2010 | The Good Life as Conceptual Art | Abstract PDF |
| Hichem Naar | ||
| Vol 4, No 1: Fall 2011 / Winter 2012 | The Mathematical and Temporal Basis of Judgments of the Sublime | Abstract PDF |
| Daniel Cole | ||
| Vol 5, No 1: Fall 2012 / Winter 2013 | The Philosophical Aesthetics of Dance: Identity, Performance and Understanding | Details PDF |
| Hetty Blades | ||
| Vol 3, No 1: Fall 2010 / Winter 2011 | The Philosophy of Motion Pictures | Details pdf |
| Landon Schurtz | ||
| Vol 2, No 2: Spring / Summer 2010 | The Role of Painting in the Phenomenology of Merleau-Ponty | Abstract PDF |
| Daniel Guentchev | ||
| Vol 4, No 1: Fall 2011 / Winter 2012 | The Routledge Companion to Philosophy and Music | Details PDF |
| Marlies De Munck | ||
| Vol 4, No 2: Spring / Summer 2012 | The Soviet Aesthetics of Aleksandr Voronsky: A Brief Exposition | Abstract PDF |
| Alzo David-West | ||
| Vol 1, No 1: Fall 2008 / Winter 2009 | Varieties of Response-Dependence: A Critique of Zangwill | Abstract PDF |
| Elizabeth Zeron Compton | ||
| Vol 2, No 1: Fall 2009 / Winter 2010 | Zips: Experimental Lines of Flight | Abstract PDF |
| Ryan Johnson | ||
| 1 - 42 of 42 Items | ||
ISSN: 1946-1879